Sometimes You Just Gotta
![]() |
|
|
![]() |
| Encyclopedia Britannica 2009 Deluxe |
![]() |
|
|
![]() |
| Encyclopedia Britannica 2009 Deluxe |
![]() |
| Oxford English Dictionary - 2nd Edition Version 4.0 [CD-ROM] |
![]() |
| Historical Thesaurus of the Oxford English Dictionary 2 volume set [Hardcover] |
![]() |
| Danger! Books can change your operating system. Are you sure you wish to proceed? moar littrary kittehs |
Banned Books Four Volume Set Published by Facts on FileA unique and revolutionary reference dictionary, that will open up a new world of possibilities for descriptive words and ideas.Parts of Speech
A comprehensive list of descriptive words, with various filters including alliterations, that allow the writer to be more specific.Phrases
A collection of over 33,000 phrases, sayings, idioms, and word combinations.Rhymes
The ultimate Rhyming Dictionary with over 100,000 entries, 36,000 Rhymed-Phrases, and the most comprehensive list of Close Rhymes ever created. Rhymes from our Pop-Culture Dictionary are also included.Pop Culture
A Pop-Culture Dictionary with over 11,000 icons of American and World Culture.Dictionary
The Merriam-Webster Collegiate Dictionary. 165,000 entries, 225,000 definitions,Thesaurus
and 10,000 new words and senses.
The Merriam-Webster Collegiate Thesaurus. Over 340,000 synonyms, antonyms, related
and contrasted words, and idioms.

Remember CliffsNotes? Yeah, those black and yellow striped pamphlets that provided study guides for school subjects and literature.
Well I stumbled on their official website while looking for an online glossary for Shakespeare. Found that and so much more. I've been hanging out on the site for hours.
Shakespeare is an integral part of my Fruit of the Spirit story world. My character, Estelle Starr, is a Shakespearean stage actress who has memorized every part of every play. She is also quite eccentric (some might say touched in the head) as she speaks only Shakespeare. I don't mean that she speaks in Elizabethan English, I mean that even off stage she speaks only lines from Shakespeare. Though she can range among the sonnets and other poems, it is mostly from the plays.
There is another character in the FOS story world who speaks only KJV Holy Bible. He was once a preacher who was excommunicated after a shocking incident for which he was innocent of all wrong doing. His name is Inny aka Innocence and he is the husband of Faye aka Faith who is the POV protagonist of the first novel in the planned series of novels. In the two stories from the novel which I posted for Friday Snippets last summer and fall, there were several scenes in which either Estelle Starr or Inny appeared but only one which included both of them.
Those two stories, though they can stand alone as longish short stories, are intended also as chapters one and three of the novel, The Substance of Things Hoped For. The story for chapter two remains unwritten largely because it is the story in which Inny and Estelle are introduced to each other and enter into dialog. Though I was delighted by the idea at the time I first conceived it, at some point I lost confidence in it and became intimidated. It didn't help that I lost all my notes about that scene in our 2001 move. But I can't blame that entirely since those notes had been sitting in my files for over six years before that.
When I first started working on these stories I had never heard of the Internet. I used concordances for the KJV Bible and Shakespeare. At the time I had access to the Shakespeare collection at SOSC (now SOU) in Ashland, Oregon. In case you don't know what a concordance is, it is a reference book in which every instance of every word in the referenced book(s) is indexed. Thus I can begin with a concept of the intent of their communication and look up the words that may or must be included and in that way find phrases, whole verses or monologues that can convey their meaning. (To see how it is worked out in scenes, you can find the stories through the FOS portal. Yikes! I've not updated that post as promised for quite awhile. I've posted snippets from other FOS novels in progress that need to be included there. The best scene to demonstrate the concept is probably the one mentioned above in which Estelle and Inny both participate: Part Seven of Making Rag Doll Babies and Million Dollar Maybes)
It was the discovery of a searchable Complete Works of Shakespeare online in 1997 that enabled me to finish Rag Doll Babies and start collecting promising quotes for planned scenes in other chapters. But it also spoiled me for after loosing access to the Shakespeare concordance in 1987 I'd had to resort to reading the plays and collecting the promising quotes the hard way. I had finished the first story, Of Cats and Claws and Curiosities, that way but I had purposely limited myself to Macbeth for the quotes because that play reflected the theme I wanted to emphasize.
Well recently I have decided to add a new strand of scenes to Of Cats. After I had mapped out the second chapter, Strange Attractors, and discovered that it needed to alternate between NOW and THEN just as Rag Dolls did, I decided to make that the format for all of the chapters. Besides, I was unhappy that so many very significant characters did not show up until well into chapter three and adding the THEN strand to Of Cats would give the opportunity to introduce them. It seemed appropriate then that that strand of scenes should be Faye, Julia and Wilma overseeing a high school production of Macbeth in which Cassie and Fancy perform and Briana, Fancy's daughter, debuts as a toddler and Mae Bea, Fancy's mother, in charge of costumes and Inny in charge of props and lights.
In preparation for writing that addition to Of Cats, I've set out to review Macbeth which will include rereading it of course but also watching several stage productions on DVD which I have access to through the library system. (Love Your Local Libraries!) With Ashland being home to the Shakespeare Festival and SOU's serious Shakespeare collection, it behooves even the public library system to have significant Shakespeare material available.
Which is lucky for me because I have no clue how a Shakespeare play is produced. I've never seen one in person. So I've got to research all aspects of it from costumes to props to what kinds of directions and advice Faye, Wilma and Julia would likely be giving the student actors. And since one of the trademarks of the three women's relationships is a certain amount of banter that shades into bickering, I need to familiarize myself with some of the controversies regarding the proper way(s) to produce Macbeth.
Though I have acquired several library books to aid me in this, I was please to discover that the CliffsNotes on Macbeth include an essay about the historical and contemporary issues surrounding the staging of Macbeth.
Faye's story, The Substance of Things Hoped For, is the novel I targeted at the first of the year for a sustained effort to complete a draft this year. Because of the research still necessary and several plot holes in the latter half not to mention the need to resort to searchable databases of Shakespeare and KJV every time Inny and Estelle enter a scene, I am beginning to think even sustained effort won't be enough. This was the project I designated for the Sven III aka 70 Days of Sweat Challenge too but I've not added anything but notes since it began at the first of the month. Because of that, I've missed several check-ins.
The Friday before last when I posted a snippet about a teen runaway, I remembered that I had foreshadowed her appearance in Faye's story in the same scene I linked above (part seven of Rag Doll Babies). She is the shadow that faded into the woods when Cassie stopped to give Estelle a lift. This past Friday I wrote a new scene for Crystal's story, Home Is Where the Horror Is. Since the story is set in an Oceanside, California motel much like the one Ed and I lived in for a time when he was stationed at Camp Pendleton, I anticipate little need for research which makes working with the story much less complex. I am planning to write another scene for this Friday's snippet.
If I'm to continue posting snippets and participating in Sven III, I suspect I'm going to have to start ranging over the whole of the FOS story world stories again. There are many that are much less complex than Substance.
Well, another post has gotten away with me. I began this with the intent of a quickie about a neat reference resource for readers, researchers and Shakespeare lovers. I had said all I set out to say by the end of the third paragraph. That was hours and hours ago. Before midnight! and it is now 7:30 Wednesday morning!
I've had a major slow down in word production on Spring Fever, my NaNo novel, this week. When the words stopped flowing and I found myself all in a tangle on Tuesday, (a great disappointment after such a feverish start,) I began spending more time on the various crash courses I needed to flesh out the plot and the character's lives.
See my TT this week for a glimpse into the story and an idea of how many topics are involved. It is to be expected, I suppose, when you have two professors and a grad student as major POV characters and each with special interests and needs. Below are just some of the resources I've turned to so that I can pretend myself into the mind of a poet living with MS; a professor passionate about Dante; a grad student incorporating dance and the tarot into her thesis and who gives birth twice in the course of the novel. Which reminds me, I still have to research surrogacy, embryo freezing, and midwifery. Since I'm creating this to collect my resources as much as anything else, I may have to update as I add resources.
Among the books I've been reading are:
>>Joseph Campbell's Masks of God, leaning heavily on V.1. Primitive Mythology
>>Clarissa Pinkola Estes' Women Who Run With the Wolves: Myths and Stories of the Wild Woman Archetype
>>Jamke Highwater's Language of Vision: Meditations on Myth and Metaphor which is organized around the Major Arcana of the tarot and gave me the idea to do the same for my story.
>>Dante's Divine Comedy--Since I have a copy in the Britannica Great Books set, I've been dipping in now and then to read a paragraph or three.
>>Also in the GB set is Aristotle's works and I've dipped into his Rhetoric and On Poetics. Something I expect a professor of Medieval Literature would know.
Always useful as a resource whenever music is involved or excerpts from documentaries might be helpful is YouTube. So when it occurred to me that Vivaldi's Four Seasons and Igor Stravinsky's ballet, Rite of Spring, might merit some kind of involvement in a story called Spring Fever, that is where I headed.
| Level | Score |
|---|---|
| Purgatory (Repenting Believers) | High |
| Level 1 - Limbo (Virtuous Non-Believers) | High |
| Level 2 (Lustful) | High |
| Level 3 (Gluttonous) | Low |
| Level 4 (Prodigal and Avaricious) | Low |
| Level 5 (Wrathful and Gloomy) | Low |
| Level 6 - The City of Dis (Heretics) | Very Low |
| Level 7 (Violent) | Low |
| Level 8- the Malebolge (Fraudulent, Malicious, Panderers) | Moderate |
| Level 9 - Cocytus (Treacherous) | Very Low |
There are three sites which I have come to depend on while working on my Fruits of the Spirit story world this past month. I'm going to list them here with little comment as I need to get back to work.
Think Baby Names. Let's you search for names according to their meanings. Gives many alternate spellings and has very good etymology of the names. This is important for in my story every character who is more than a walk-on carries a theme which their name points to.
A searchable King James Version of The Bible at The Electronic Text Center of the University of Virginia. Even the Apocrypha. I had never heard before stumbling on this site that the Apocrypha had been translated by the same committee that provided the KJV of the Old and New Testaments that I was raised with. But they were and just seldom included in the texts printed for Protestents. And of course, the Catholics disdained the KJV.
Open Source Shakespeare. All of Shakespeare's plays and sonnets. Searchable. Why this is important for my story world will be made clear on this Friday's snippet.
I got so lost exploring this site, I almost forgot I still needed to post. It is nasty hot here again tonight and I'd just as soon not cuddle up with my laptop to write a long post, its exhales are like dragon breath. So I'm just going to give you a few links to my new playground(s). Its both singular and plural as they are all the children of Stephen Wolfram creator of Mathmatica.
The one I stumbled onto first, via a link in someones blog post to a definition, was mathworld. mathworld (no caps is theirs) is similar to a wiki in the way you navigate and in the way users with proper credentials can add articles. But the site itself is created with the Mathmatica software. The site is a cross between an encyclopedia, glossary and tutorial for math from High School Algebra on up.
Exploration of mathworld eventually led me to Wolfram Demonstration Project a collection of interactive graphics demonstrating mathematical concepts. These include 3D and animations. But my main interests are the ones that can lend themselves to needlepoint design. Like this one demonstrating Gaussian Primes or this one demonstrating snowflake like patterns created with hexagonal cellular automata. Or Rep-tiles.
Then there is the gallery where they show off gorgeous art created with Mathmatica and offer posters for sale. Several of these 2D designs might lend themselves to needlepoint. It makes me wish I had the Mathmatica software so I could create my own designs. But it is waaaaay out of my price range.
Here is a site map to Wolfram's web presence: Wolfram Web Resourses. He even has a blog!
© Blogger templates The Professional Template by Ourblogtemplates.com 2008
Back to TOP